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INTERVIEW with Jan Bobek

Jan Bobek and Vladimír Šulc at a joint photography from Prague Castle. Jan is wearing a T-shirt of the Japanese company Beaver Corporation, whose mascot he designed.


Jan Bobek  is working at Eduard since 2020 and focuses on sales, marketing and social media. Previously, he worked for twenty years in management positions at the international consulting and engineering firm Tebodin. Before that he worked for five years at MPM (now Special Hobby). His great passion is aviation history. He is the author of more than a hundred articles mainly about German and Japanese airmen and their units during World War II. Since 2005 he has been a member of the Gemeinschaft der Flieger deutscher Streitkräfte e.V. and in 2018 he became an honorary member of L'Association des Amis du Musée de l'Ordre de la Libération (AAMOL). Thanks to his knowledge of history, he also works on the editorial board of the INFO Eduard magazine and contributes to the preparation of some of the kits. And he draws rabbits for Eduard. This interview was prepared by Vladimír Šulc on the topic of Jan's cartoons.

 

Jan, where did the rabbit that accompanies various Eduard events, advertisements and texts come from?

It's a long story. Anyway, I've  the honour of drawing the rabbit for the Eduard team since 2010, even though I didn't become an employee of the company until ten years later. The clients themselves named the cartoon character Eduard Bunny, E-Bunny for short.

It's obvious that you have drawing in your hand, so to speak, you are talented. How did you get into drawing?

Parents are to blame for a lot of things in our youth. For me, it includes drawing. I inherited my drawing and painting skills from my mom and her male ancestors. She never pushed me to draw, I created from a very early age, and quite intensively. During my youth, I was very much influenced by comic books, which, strangely enough, were published in occupied Czechoslovakia. It wasn't just the domestic science fiction comics, which were created, for example,  by Václav Šorel, the spiritual father of many Czechoslovak plastic modellers, but also Asterix, which was published in the weekly Sedmička pionýrů (The Pioneers´ Seven), despite communist censorship. I still love Asterix and we all miss the gentleman Václav Šorel.

Polikarpov I-153, oil on cardboard, 1993. Thanks to this painting Jan Bobek and Vladimír Šulc met for the first time. Vladimír advised Jan not to continue painting.


And Asterix made you draw rabbits?  Are these ears on his helmet?

They're not ears, they're wings! When I was young, my main themes  were science fiction, aviation  and mice. Strangely enough, not rabbits, but mice. Until the age of 38, not a single rabbit appeared in my work. But Rabbit was my nickname since my early childhood thanks to the Czech TV kids' cartoon series with Bob and Bobek the rabbits. One of the members of the team that created this great evening cartoon was my teacher's brother. You wouldn't believe how encouraged I was in drawing as a first grader when he gave me original animation sheets of rabbits or other TV cartoons for children. I still have them to this day.

So that's what got you into art? Did you study drawing at a specialized school?

No, I didn't. When my parents were considering what subjects  I was going to study, my mother categorically forbade me to apply to an art school because she had graduated from one herself. She was convinced that as an electrical engineer I had a better chance of making a living. I think it was a good move.

Airship by Paul Haenlein, Brno, 1872. Acrylic on cardboard, 1994. Painting for the LHS magazine.


Who are your aviation art inspirations?

After 1989, with no formal art training, I started to paint aviation paintings, either with a brush or an airbrush, or a combination of both. Legends such as Shigeo Koike, Jaroslav Velc, Robert Taylor, Roy Grinnell and others have been a great inspiration to me. I also started painting colour profiles for Czech HPM and REVI magazines. It was through one of my paintings (Polikarpov I-153) that I was introduced to you. It was a stimulating acquaintance, during which you immediately suggested that the painting was not worth much and that I should rather pursue another field. Despite your advice, I later illustrated several books. My work wasn't the best, but it wasn't that bad.

That was insensitive of me. Actually, I was trying to push you away from drawing. Fortunately, I didn't succeed, you didn't give up and you kept on drawing!

At some point, in the days before scanners and emails, I realized I had to think about whether I would be an illustrator or a writer of historical articles in my spare time. I felt that if I did both, I would soon go crazy. I decided to do historical research and publishing, but my experience as a modest artist still makes it easy to communicate with the fellow artists about their profiles or paintings.

A duel between Bohumil Fürst of No. 310 Squadron RAF and Werner Goetting of I.(J)/LG 2. Acrylic on cardboard, 1994. Painting for the publishing house Naše Vojsko.

A duel between the Me 262 of JV 44 and the P-47D of the 365th FG “Hell Hawks”. Acrylic on cardboard, 1994. Painting for Mustang publishing house. 


Where did you get published?

At the end of the 90's I first published articles in Czech HPM magazine, then I became an author and later also an external editor of the Czech aviation-historical magazine REVI. I published articles in it with my nickname Králík (rabbit) as Jan “Králík” Bobek and I even started a modelling section in it, which is still published today. Back then it was called in Czech language as Bobek Rabbit Modeling Section. REVI is a very professionally produced magazine, aimed more at those seriously interested in aviation history. Its publisher, and my friend, Petr Stachura is an aviation history buff who didn't admit that the 1990s were over. Somehow, after a few years of cooperation, I couldn't come to terms with some of his views, for example, I was bothered by the absence of external communication on the Internet at that time. So I decided to start a rebellious editorial blog called Revi Illegal. On it I began to comment humorously on the progress of the preparation of individual issues of REVI and other topics. When Petr came out of his unconsciousness after seeing the blog, he at first strongly asked me to cancel it. Gradually, however, he found the whole "online thing" beneficial and ended up publishing an advertisement for my blog in his magazine.

Japanese Navy fighter seaplane Kawanishi N1K Kyōfū (Rex). Acrylic on cardboard, 1994.


So as a member of the editorial board, you led a kind of resistance within the law, shall we say. You used Rabbit as your author's pseudonym, so rabbit was already your alter ego?

Yes, that's when the rabbit came to the world! For the blog, I developed the rabbit character as the mascot of the Revi Illegal blog. I'm a fairly friendly non-smoker, so I designed the rebellious rabbit as my alter ego in the form of a rodent with a bandit's tape who smokes cigarettes at all times. The graphics were designed by my friend Michal Skurovec, who worked for HPM. After a couple of years, I also started a Facebook gallery with my cartoons under the name Upset Rabbits.   The first version of the rabbits didn't have toes on their front paws yet, but they had a bit of sharp features, which gradually rounded out. The rabbits gained weight as they got older. I still create bandit rabbits on my Facebook page.

German fighter pilot Josef Mai. Pencil drawing based on historical photograph, 2015. Compared to the original photograph, a teddy bear of Ulrich Neckel and a bottle of Chateu Margaux have been added to the drawing.


So REVI and Petr Stachura helped the rabbit to be born.

Undoubtedly! One of my very first rabbits was the editor-in-chief of REVI Petr Stachura. In the drawing I pictured his office, his chair and himself as a rabbit, who says in the Ostrava dialect that “publishing a magazine is a very difficult job”. Fortunately, he still does it today, with the help of fellow editors, friends and authors. Although his wife says the drawing is still very apt nearly 20 years later

And how and why did the rabbit get to Eduard?

In 2010, I stopped posting on my blog because the Czech platform on which the blog was running was about to be shut down. However, I have republished some posts, especially my stories written in Prague Czech, on my new blog Czech Flying Rabbit 

2010 also marked a significant milestone in the lives of my rabbits. When you and I were on a cycling holiday together, you told me you wanted a new friendly mascot. Eduard's knight in armour seemed a bit inflexible and you were looking for an alternative. Word got around, and my rabbit went into Eduard's service. It was mid-2010. That's also when the INFO Eduard magazine was modernized and historical articles, some of them written by me, started to appear in it. .

You and Jan Zdiarský started sending me requests for rabbit drawings that appeared in various parts of INFO for products or articles. Soon they also appeared on Facebook, which Eduard was starting at the time. Gradually, the rabbit drawings settled down to one drawing in the editorial, and occasionally one more  would appear on another INFO page. The rabbit no longer had a bandit tape or cigarettes. Only when it's  the director's rabbit representing You, he has a cigar, despite You being a militant non-smoker. I even tried to make four comic stories for Eduard, with one of the scripts by Martin Ferkl, but it's so time-consuming that I've abandoned further attempts at comic stories for now. The comics' creators  have my deepest admiration.

Manfred von Richthofen's Albatros after his injury and emergency landing in July 1917. Pencil drawing, 2020. The background area without the posing soldiers was reconstructed from other historical photographs and Google Street View.


It was also the time of the famous MiG-21MF advertisement with the parade of rabbit cars.

Yes. The big milestone in the rabbits' lives was the launch of the 1/48 scale MiG-21MF kit in spring 2011 and the promotional video by Miguary Song. The tune was based on Long Way to Tipperary, but I composed new lyrics for it. Eduard colleagues took care of the rest. You can recall it here. According to my colleagues' spec, I drew rabbits that mimicked the MiGs from the different Air Forces whose machines were depicted in the kit. The Vietnamese lady who was selling in the shop near our house  burst out laughing when she saw the Vietnamese rabbit at the end of the video. She recognized the scooter the rabbit was riding and remarked that it was a Piaggio and pretty expensive.

A rescue swimmer aboard the PBY Catalina seaplane. White pastel on black paper, 2016.


The rabbit then made its way into the name of the Eduard club and onto the club T-shirts.

Two years after the rabbits invaded Eduard's media, Eduard decided to start a customer loyalty club called the Bunny Fighter Club, or BFC.  The name of the club was associated with the MiG-21 “Bunny Fighter”, whose fictional markings were part of an activation kit that, if purchased, allowed one to become a member of the club. With the activation kit, the customer also received a BFC T-shirt with a rabbit on it. And I have to admit, it's an amazing sight to see the modelers wearing our shirt at shows. To all who wear our t-shirts at shows, I say a hearty hello. I spotted a club member wearing a BFC t-shirt the other day while visiting a Czech castle, but before I could say hello, I had to head to the Knights Hall with my group and the really big modeler headed for the hunger room.

Color profile of the Bf 109 G-2 of commander II./JG 52 Maj. Johannes Steinhoff, Russia, spring 1943. Acrylic and tempera on paper, 1995.


We also made a video in Hungary with a real MiG-21MF, which we painted blue and stuck a rabbit sticker on its tail.

Not only on the tail! Along with the release of the first activation model, you published an article in INFO 11/2012 about the fictional Czech rabbit aviator Eduard Kleinkönnig, who fought with the “Bunny Fighter” in the Carrot War.  The design of the MiG with the rabbits was created by Jan Zdiarský, and less than a year later we painted a real MiG-21 in Hungary in the Bunny Fighter livery with a lot of help from Eduard associate Karel Pádár and Hungarian researcher and friend Gábor Szekeres. For me it was an incredible experience, but what a chore it was for all involved over two days. I was even more than surprised by some all-knowing internet discussants who were sure that these were not real photos, but photoshopped fiction. It wasn't! But Photoshop came later.

Jan Bobek creating quick drawings during the Novemberfest event at Eduard in 2015.


I remember that event, I think we should do something like that again. But in truth, I'm convinced that you invented the character of pilot Kleinkönnig, not me.

No no, I didn't invent it. You invented the character, and the fact that he's from Žatec. You also invented his name and you wrote the first story. Stories about the rabbit pilot Eduard Kleinkönnig have accompanied most of the activation kits. If I put the stories in chronological order, they were the battles of Bf 109 G-6 from JG 9's against giant carnivore penguins in the Arctic Circle, the Hawker Tempest “Bunny Lady” from battles against Nazi flying saucers over Antarctica, the MiG-15 “Bunny Racer” from races around Africa and MiG-21 “Bunny Fighter” from Carrot War. While typesetting these articles, we occasionally used the aforementioned Photoshop, for example,  the MiG-15 guncamera shots of a dinosaur, the photo of the Tempest “Bunny Lady” from the bergship HMS Habbakuk, or the Tempest guncamera shots of German flying discs.

I mustn't forget Eduard Kleinkönnig's 1/32 scale Curtiss P-40, for which Libor Špůrek has written a history in the caption, he also covers the bunny pilot's service in the Korean War on the MiG-15 and admits the possibility that Kleinkönnig got into space a year before Yuri Gagarin. All of the stories are written in a somewhat complex Czech humour with many references to historical events and characters. Some readers, especially foreign ones, may find this a somewhat boring read. I think that in the Czech Republic we do a lot of things in a complicated way because we have a complicated language and it affects our thought process.

Jan Bobek with his friend and art lecturer Pavlína Pavliš.

The model for one of the very first rabbits by Jan Bobek in 2005 was his friend and editor-in-chief of REVI magazine Petr Stachura.


Thought processes are also important for the creation of motifs for drawings. How difficult is it for you to find subjects for your drawings? From the outside, it seems like they jump out at you without much effort!

Often they do. In some cases  you and Jan Zdiarský give me the scenario and texts for the drawings, but most of the time I just think of a rabbit in a situation, make a sketch in pencil and finish the final drawing with Japanese Sakura pens. With Eduard, we did several events that were very challenging for me as an artist. But I'm very happy that we prepared them. These were quick drawings of rabbits on demand. I did them at a factory open day we used to have called Novemberfest. And once, during the E-Day exhibition, we organized a fundraising event around my quick drawings with a voluntary contribution to the fund for veterans under the patronage of the Czechoslovak Legionary Community. At the end of these drawing marathons I could hardly see and my hands were shaking, but it was for a good cause. I still do  quick drawings on War Veterans Day at Peace Square in Prague. Proceeds from our kits and veteran memorabilia go to the Military Solidarity Fund of the Czech Army. And once again, thank you to the organizers and especially to everyone who came both this year and in previous years.

INFO Eduard and Eduard social media is not the only platform where your rabbit appears. How did he get to the UK?

It was a great pleasure to start working with the UK's Scale Aircraft Modelling magazine (Guideline Publications Ltd). In late 2012, Jan Zdiarsky introduced me to magazine Editor Gary Hatcher as a freetime artist. We agreed to publish one rabbit drawing regularly in this British monthly magazine with an international reach, with focus either on Eduard products or on topics relevant to SAM readers. Most of the scenarios and text for my drawings have been prepared by Gary. I didn't realize until now that I have been drawing rabbits for SAM magazine for ten years. I hereby apologize to Gary for all the delays and other rabbit troubles.

Sometimes I really do draw such specific British topics for Gary and the team at SAM that I don't really understand what the rabbits are actually up to. But Gary has always been pleased and no UK modelling club has yet published a “Wanted Dead or Alive”  for me. No complaints have come in from Commonwealth countries either. I'm just not sure whether I didn't contribute a little to the Brexit referendum victory with my cartoons on the EU's excesses in the form of the banana shape standard and other nonsense when I was drawing jokes about the coming Brexit years ago

So in addition to the resistance against REVI, you also  supported the resistance against the EU! Good grief! Do you still make do with talent and experience alone in this activity, or have you had some professional training in the meantime?

When I once tried to draw a pencil drawing of Manfred von Richthofen's Albatros after the emergency landing in July 1917, I showed it to my friend, the aviation artist Pavel Rampír. He looked at the drawing carefully and then said to me: “You know, Jan, it is clear in this drawing that you have a gift from God, but it is also clear that you don't know what you are doing with this pencil!”. This inspired me and so in 2014 I found an art studio in Prague, not far from my office, where my current friend Pavlína Pavliš worked as a lecturer. Under her guidance I started to supplement my education. Her advice really helped me a lot, as did the advice of my female classmates, who were mostly architects, civil or chemical engineers. The experience of Pavlína's lessons helped me to take my rabbits a step further, but I also enjoyed creating some classic aviation themes under her guidance. I will continue to do this from time to time.

Jan Bobek during a fundraising event held at the E-Day exhibition in Prague in 2014. The proceeds of the voluntary fees for the rabbit drawings went to the Czechoslovak Legionary Community.


It's obvious that the rabbit is doing a good job, including socializing its author! How would you yourself rate the rabbit's contribution to the modelling community?

We introduced the rabbit to Eduard media 14 years ago because we felt the scale modelling community needed some humour, perspective, and relaxation. If that's what our rabbits bring, that's exactly why I draw them. And maybe sometime in the future we'll create a 3D printed 1/48 scale rabbit, which modelers sometimes ask about. With an aviator helmet, goggles and scarf, he might be nice. Maybe there will be a carrot too.

Your - our rabbits have  your own historical knowledge and your linguistic equipment as background . Your historical knowledge goes through World War I to the various air forces of World War II, and  is anything but superficial. Where did all this come from? You haven't studied history, or am I wrong?

Unfortunately I haven't yet really studied history. I was thoroughly encouraged to take an interest in history, in a very broad sense, by my father. When I was a kid, he built plastic model airplanes for me, and later I started building them myself and became increasingly focused on military aircraft and WWII. From there, it was a fairly quick path to reading publications on the subject and memoirs of famous aviators, although it wasn't easy to get hold of them under the pro-Soviet communist government. Russian was compulsory then, but I learned English and Polish voluntarily because of the magazines and books on aviation. When the Iron Curtain fell, it was possible to get access to practically any foreign literature if you knew how and where to get it in Europe or at home. I searched like a wild man, most interested in fighter units and air aces. I became more and more interested in the air forces of Germany and Japan, and I was able to find literature from those countries, so to understand the subject better, I began to learn German and Japanese. A few years after the Velvet Revolution, various magazines on this subject started to be published in the Czech Republic. Of course, when I looked at these articles, I sometimes shook my head and thought that I could have written them better. So I gave it a try, I started writing firstly for HPM and then for REVI.

You're a member of the German Airmen's Association. How  a guy from Prague, a Czech as much Czech I can imagine, does become a member of such a venerable organization?

My friend Jarda Hradec brought me to communicate with German pilots because of my articles, and through him I met Heribert Koller from JG 54 “Grünherz” and other veterans. But most of all I was in contact with Mr. Koller,  who came up with the idea for me to become a member of the association. Together with Jarda, I also helped Heribert as a driver with several long trips in Germany and abroad. In the process I managed to introduce Mr. Koller to Mr. Hans E. Bob. They did not know each other, although both had served in JG 54 and were long-time members of the association. I had more such opportunities in my life, for example as a driver I had the honour to assist Gen. Šiška of the Czechoslovak 311 Squadron of the RAF. I appreciate that immensely.

Jan Bobek next to a real MiG-21 Bunnyfighter in Hungary in 2013. He also took care of the rabbit featured in the promo video during filming.


Are you also a member of some Japanese Airmen's Association? I think I first became aware of your historical knowledge at your lecture on the air battles over Guadalcanal in Ostrov nad Ohří around the turn of the millennium. I was very impressed with that lecture. How did you get into the Japanese?

I wasn't a member of the Zero Fighter Pilots Association, and I can't become one without personal, long-term contact with Japanese veterans. I remember the lecture you're talking about, I projected slides during it, and I  have a feeling you fell asleep for a while . I got interested in Japanese Naval and Army aviation in high school when I read Mr. Hubáček's books on the fighting in the Pacific, and also when I got a copy of Saburō Sakai's memoir, which was published in Czech in 1968 and 1969 in L+K magazine. Since the end of the 1990s, I have published articles on this subject in the Czech Republic and a few years ago I published an article on Sakai in the French magazine ACES, later also in the magazine INFO Eduard.

I fell asleep, that's true. When I woke up, I hit my head on a beam. Still, the lecture broadened my horizons, it was actually a significant event for me. Since then I have had the idea  that we should hold similar lectures at Eduard as part of the events for modelers. But let's get back to education. Are you thinking of studying history?

Our recent joint presentation of the new FM-1 kit in Prostějov was a bit like a history lecture. I have a feeling the audience liked it. So I agree with you, lectures would probably be an attractive topic. I would love to study  history, but due to the increased amount of work at Eduard   since the spring 2022 crisis, and the serious health situation of a family member, I can't imagine finding the required time for study right now. Following a college cursus while working is not fun, I've already tried it once.


We have a lot of work behind us, and  there are other big projects ahead of us. We've kind of made them up together. But when it's all over, we can go back to school. For example, I have been tempted for some time by the idea that I could enter the Faculty of Arts and, with a little effort, I could receive a scholarship and a retirement pension at the same time. What do you think?

There are other colleagues thinking up new projects with you, not just me. Last year I was already interested in where it is possible to study history remotely in the Czech Republic. I would prefer to study it in Prague, but the extra-mural study programme that would suit me has not been open for several years. So we'll have to wait a bit, maybe when I retire!

I'd go to Pilsen! But we still have plenty of time to decide, and in the meantime we can write a few more articles and practice our editorial work. What are you writing now and when will it be published? 

Pilsen would be complicated for me. For the March issue of INFO Eduard magazine I am preparing a boxart story about one of Hannes Trautloft's fights on the Eastern Front in 1942. For REVI magazine I have an article about a German fighter pilot from WWI called Marwede. I think when he died in 1993 as a British citizen, he was the last surviving German WW1 fighter pilot. For REVI, I would also like to complete a book on Heinz Bär, which my colleague Martin Šíla and I have been working on for a long time. So hopefully it will be completed in 2024.

Fingers crossed and thank you for the interview!

Thank you too! Bunny Ho!



01/2024
Info EDUARD 01/2024

Welcome to the New Year! January’s new releases have been on sale for almost three weeks now, so I assume that you are already thoroughly familiar with them and many of you already have them in your posession. Nevertheless, I have to mention that, from my point of view, we are starting this year off with a bit of a bang. A first glance at the 48th scale Albatros D.III may not indicate this, but it too was once the top predator in a sky dominated by war clouds, and this kit offers a superb mix of stories and fates of its pilots and their opponents, as is our custom to uncover over the course of a kit’s development. We also had more than good reason to revive this topic, as you are about to find out.

1/1/2024

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